20世纪后半叶世界文学的发展,在文体变化上的追求达到了一种极致的状态,但在这些先锋前卫的文体实验背后,也隐藏着巨大的历史传统的背影,即在各种后现代的艺术手法背后,实则是一种传统的精髓。这一点在诺贝尔文学奖获得者帕慕克和莱辛的代表作品里都很突出。二者都借用了后现代的拼接板块结构讲述了很古老,甚至很俗套的故事,从而让作品焕发出新的生机。 In the second half of the 20th century, the development of world literature in the pursuit of stylistic change reached an extreme state. However, behind these avant-garde stylistic experiments, there is also a huge shadow of historical traditions. In various post-modern Behind the artistic techniques, but in fact it is a traditional essence. This point is very prominent in the representative works of Nobel Prize laureates Pamuk and Lessing. Both have borrowed the postmodern mosaic structure to tell the story of an ancient, even cliche, so that the work glowed a new life.