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中国插花的美学观念 中国插花发展深受以老庄为代表的“天道”和以孔孟为代表的“儒道”的影响,强调“天人感应”,认为宇宙、天、地、人是一个“存在”的连续体,不可分割,天人相与,天人相应,人应按宇宙的自然运行的规律行事。因此,就插花本身而言中国人常喜欢把一件插花作品作为一个天人合一的生命整体。花木一旦被移接到花器上遂被重新布置成一个美好鲜活的第二生命世界,反映出插花者的思想。插花艺术家以花木为素材组合成的插花花艺作品
Aesthetics of Chinese Flower Arrangement The development of flower arrangement in China is deeply influenced by “Heaven” represented by Lao Zhuang and “Confucianism and Taoism” represented by Confucius and Mencius, with the emphasis on “feeling of nature”, that the universe, the sky, the earth and the people are one The continuum of “Being” is inseparable. The human beings, man and nature, correspond to one another, and people should act according to the laws of the natural operation of the universe. Therefore, as far as flower arrangement itself is concerned, Chinese people often like to use a flower arrangement as an integral part of the life of man and nature. Once transplanted to the flower, the flowers and plants are then rearranged into a beautiful and living second life world, reflecting the idea of the wearer. Floral designers to flowers and trees for the material into a combination of flower arrangement floral works