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在中国赋史上，苏轼是“变赋”的创始人，“骄、散融汇”的开拓者。他有意识地追求赋的“新变”，既吸收了诗骚、汉赋、骄赋的传统精粹，又向“现代诗化散文”似的方向转变，并从题材的开拓到艺术的创新，从意象化抒情言志到意境的象征超越，管多所建树，在理论与实践上确立了“变赋”的体式和审美特质，为新赋体注入了艺术审美的活力。
In the history of Fu in China, Su Shi is the founder of “Change Fu” and the pioneer of “Pride and Dispersion”. He consciously pursues the “new change” of Fu, which not only absorbs the traditional essence of poem, Han Fu and arrogance, but also changes to the direction of “modern poetic prose”. From the exploration of the theme to the innovation of art, The symbolic lyricism goes beyond the symbolic conception of the artistic conception and sets up many achievements in its management. It has established the style and aesthetic qualities of “changing the fu” in theory and practice and infused the artistic aesthetic vitality into the new body.