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在中国当代的国画领域,出现了激烈的争论-----国画要墨守成规还是应该创新?其实两者是辩证的统一,传统中求创新,创新者不丢弃传统!传承的过程虽然代代有发展,但是他的带有血统特征的内容是不会丢掉的。西方绘画的观念认识或表现技法对中国画的发展各有利弊,是把“双刃剑”。中国画一定可以可以回归传统,一定可以取得新的发展,取得发展和回归传统并不是非此即彼的不可调和的矛盾,当然这样做有很大的难度,面对挑战我们不要一说回归传统就变成古人,一说创新就变成洋人,两个极端都是错误的。
In the contemporary Chinese painting field, there has been a fierce debate ----- Chinese painting should stick to conventions or should be innovative? In fact, the two are dialectical unity, innovation in tradition, innovators do not abandon the tradition! Although the process of inheritance Development, but his bloodline features will not be discarded. The concept of understanding or expression of Western painting on the development of Chinese painting has its advantages and disadvantages, is the “double-edged sword.” Chinese painting must be able to return to the tradition and certainly can make new progress. It is not an irreconcilable contradiction between the development and the return to tradition. Of course, it is very difficult to do so. In the face of this challenge, let us not talk about returning to tradition. Become ancients, one that innovation will become a foreigner, the two extremes are wrong.