勾画水波纹我们将前两个范例和此幅的水波纹作比较,便可发现虽同为宋代绘画,且二、三两幅更是出自同一人之手,在水波的用笔上却大为不同。此幅画中,虽也仔细交待了水波的层次和结构,却比《万壑松风图》用笔上更为潇洒,这样的水纹刻画与整幅绘画的风格形成统一。在对比中我们也可总结出,在平时对溪泉的创作上,应该根据画面需要和对不同水流的体会,用不同的手法刻画溪泉。所谓法无定法,切不可临摹学习过的一种泉法,便每幅创作都以同样的泉水示人, Drawing water ripples We will compare the first two examples and this version of water ripples, we can find that although the same as the Song Dynasty paintings, and two or three two is from the same person’s hand, but in the wave of the pen is great different. This painting, although also carefully explained the level and structure of water waves, but more than the “gigantic pine figure” pen with a more chic, so the water pattern and the whole painting style to form a unified. In contrast, we can also conclude that in the usual creation of Xiquan, we should use different tactics to portray Xiquan according to the needs of the picture and the experience of different currents. The so-called law of no law, must not copy learning a spring law, so that each creation is the same spring show people,