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在中国西北卓越多姿的民间音乐里,有一种音乐形态以它热情高亢的旋律、耐人寻味的曲词、变化多端的演唱方法而历久弥新,它就是被称作西北之魂的地域歌种——“花儿”。在历史车轮的前行中,“花儿”的发展也因地域文化的不同而产生了不同流派。本文从甘肃“花儿”入手,了解“花儿”的起源和发展,从艺术的角度去分析“花儿”这一经久不衰的民间山歌是如何从山村田野步入学术大雅之堂的。
In the remarkable folk music of northwestern China, there is a form of music that has been renewed by its passionate melodies, intriguing lyrics and changing singing methods. It is known as the soul song of the Northwest - -“flower”. In the course of the historical wheels, the development of “Flower” also produced different genres because of the different cultures of different regions. This article starts from Gansu “Flower ”, and learns the origin and development of “Flower ” from the artistic point of view to analyze how “Flower” Academic elegant.