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傅抱石(1904—1965)是中国现代画坛杰出的书画大师。他为推动中国画的改革、创新和发展,为中国画的艺术创作倾注了毕生心力。大师在绘画上能够融合中西画法,同时师法自然,崇尚革新。艺术创作尤以山水画成就最大,特别是他绘画生涯中的“金刚坡时期”作品,其作品善用浓墨、渲染等法,章法新颖,画意深邃。今年是傅抱石大师诞辰110周年。因南京博物院为国内收藏大师的画作最丰富和集中的机构,故笔者特精选部分该院之大师“金刚坡时期”的山
Fu Baoshi (1904-1965) is an outstanding master of painting and calligraphy in the modern Chinese painting society. In order to promote the reform, innovation and development of Chinese painting, he devoted his life to art creation in Chinese painting. Master in the painting can blend Chinese and Western painting, at the same time, natural law, advocating innovation. In particular, his painting career in the “King Kong period ” works, his works make good use of ink, rendering and other laws, the novel method, deep meaning. This year is the 110th birthday of Master Fu Baoshi. Due to the fact that Nanjing Museum is the most abundant and concentrated institution for the collection of masters in the country, I selected some of the masters of the institute “Mount of Diamond Slope”