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“艺术创作研究”栏目睹早载了三篇关于电视纪录片地文章。谢勤亮的文章《纪录片的重新定位》认为，中国纪录片只要以市场准星重新进行定位，就有望成为电视业新一轮的经济增长点。中国西部丰厚的自然资源和人文景观是纪录片创作的一个富矿，有内容和形式上，西部纪录片正进行着多样化的创作实践。高力的文章《从西部文化资源看西部纪录片的未来空间》对此进行了分析与评论。蔡凯如的文章《兽的“人化”与人的“兽化”──试析电视纪录片〈英与白〉的伦理价值观》则是对荣获2001年四川国际艺术节“金熊猫奖”长纪录片、导演、创意和音效四项大奖的纪录片《英与白》进行了视角独特的个案分析。
The “Art Creation Studies” column saw an early load of three articles on television documentaries. Xie Qinliang’s article “Reorientation of Documentary” holds that as long as documentary repositioning is carried out in China, it is expected that the documentary film will become the new round of economic growth point for the television industry. The rich natural resources and cultural landscape in the west of China are a rich ore for the documentary creation. In terms of content and form, the western documentary is undergoing various creative practices. Gao Li’s article “Looking at the Future of Western Documentary from Western Cultural Resources” analyzed and commented. Cai Kai’s essay “Humanization of Beasts and Human Beastization” - An Analysis of the Ethical Value of TV Documentary > is a long documentary that won the Golden Panda Prize of Sichuan International Arts Festival in 2001, Director, creative and sound effects of the four awards documentary “British and White” conducted a unique perspective of the case analysis.