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戏曲作为我国艺术形式的一份瑰宝,已经存在数百年之久,它在我国文化的传承和发展中其起着及其重要的作用。然而,在当今戏曲的创作和市场上,却遇到了不少问题。一方面是传统戏曲行业人才的匮乏,影响到了部分戏曲技艺的传承。另一方面,大部分传统戏曲在推广形式上也囿于老套路,并没有很好地借助互联网工具,将艺术形式更广地传播出去。如今各地都意识到并在呼吁重视和重振戏曲艺术的雄风,但戏曲衰落的命运并未就此改变。本文以戏曲的生存现状为前提条件,结合当代人对艺术的语言理解,提出“互联网+”概念植入的方案,对戏曲艺术的发展与创新具有一定的参考价值。
As a gem in the art form of our country, opera has existed for hundreds of years and plays an important role in the inheritance and development of Chinese culture. However, in today’s drama creation and market, but encountered many problems. On the one hand, the lack of talents in the traditional opera industry has affected the inheritance of some traditional opera skills. On the other hand, most of the traditional operas are also old-fashioned in their promotion forms and do not make good use of Internet tools to spread the art form more widely. Nowadays, all over the world are aware of and urge to emphasize and revitalize the art of opera, but the fate of the decline of drama has not changed in this way. This article takes the present condition of the drama as the precondition and proposes the concept of “Internet + ” to integrate the contemporary concept of art to the language. It has certain reference value for the development and innovation of opera art.