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在俄罗斯文学批评史上,梅列日科夫斯基对莱蒙托夫的评论可谓独树一帜,他的作品《莱蒙托夫:超人类诗人》既继承了先辈别林斯基的批评传统,也发展了同时代著名宗教哲学家索洛维约夫的观点,但更多融入了自己的“新宗教哲学”观点。本文将分析这部作品的思想演化发展过程,并将其中的反题系统与作家之前几部批评作品中的对立系统进行对比,以确定莱蒙托夫在作家经典批评中的地位。
In the history of Russian literary criticism, Merezhkovsky’s critique of Lermontov is unique. His work “Lermontov: The Superhuman Poets” inherits both the traditions of his predecessors, and also develops The same time, the famous religious philosopher Solovyov point of view, but more into their “new religious philosophy ” point of view. This article will analyze the process of ideological evolution of this work and contrast the anti-title system with the opposition system of several previous critic works by the author to determine Lermontov’s position in the classic criticism of the writer.