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20世纪30年代,欧洲游记在中国文坛兴盛一时。在这些游记中,欧洲呈现多样的面貌,诸如浪漫的欧洲、艺术的欧洲、日常生活的欧洲以及混乱的欧洲等。这些不同欧洲形象的形成与观察者的身份、观察角度、频率以及先见存在密切关系。这些欧洲形象作为一个他者,实际也是自我的投影,折射出当时中国社会的文化、心理等因素。
In the 1930s, the European travelogue flourished in the Chinese literary world. In these travels, Europe presents a variety of appearances, such as romantic Europe, Europe of the arts, the daily life of Europe and the chaotic Europe. The formation of these different European images is closely related to the observer’s identity, observation angle, frequency and prejudice. As a kind of the other, these European images are actually the projection of oneself and reflect the cultural and psychological factors of Chinese society at that time.