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作为现代主义思想和新文化背景下的中国当代实验陶艺,有其自身明确的时代特征和行为模式。从经验和现实中观察,它特具的一贯性“革命”状态,有包容文化的各种可能。在时下多元文化状态下的冲突和选择中它直呈当下文化状态的性质更加特征化了。它寻求到了参与时代艺术的滋生点,给自身的现代方式建构带来了更大的机遇,使我们能够有机会重新审视自己的艺术理想和诠释更多的概念。
As a contemporary experimental ceramic art under the background of modernism and new culture, it has its own definite characteristics and behavior patterns of the times. Observed from experience and reality, its unique coherence, “revolutionary” state, has the potential to embrace culture. The nature of the immediate state of culture in the conflicts and choices nowadays under multiculturalism is more characterized. It seeks to become a breeding ground for participating in the art of the times, bringing greater opportunities to its own modern ways of constructing so that we can have the opportunity to re-examine our artistic ideal and interpret more concepts.