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在新时期文学的丰富多彩的人物画廊中,有这样一个序列的人物形象非常惹人注目,这就是一批执著地走出黄土地的青年农民形象。他们以《人生》中的高加林、《平凡的世界》(作者路遥)中的孙少平、《鲁班的子孙》(作者王润滋)中的黄秀川、《小月前本》中的门门、《浮躁》(作者贾平凹)中的金狗、《苍生》(作者浩然)中的田保根等为典型代表。对于他们来说,走出黄土地,并不仅仅意味着走出一隅狭隘封闭的地理环境,而是以其意义为基础,超越和摆脱千百年来形成的传统的道德观念和行为准则,从而形成一种全新的有别于他们父辈祖辈的人生观念。在他们身上,既体现出了建设有中国特色的社会主义新时期初期一代青年农民所必然经历的一段人生过程,又揭示出了时代发生巨裂变化时他们的人生价值取向。可以说,在某种程度上,他们的人生意义代表了一段历史时期青年农民孜孜追求并为之奋斗的方向。
In the rich and colorful figure galleries of the new era literature, the image of a character with such a sequence is very conspicuous. This is the image of a group of young peasants who persistently leave the Yellow Earth. They use the words “Gao Jialin in Life,” Sun Shaoping in the “Ordinary World” (by Lu Yao), Huang Xiu-chuan in “The Descendants of Luban” (by Wang Runzi) Impetuous “(by Jia Pingwa) in the Golden Dog,” common people "(awe-inspiring) in Tian Baogen as a typical representative. For them, going out of the Yellow Earth does not mean just walking out of a narrowly enclosed geographical environment, but based on its meaning, transcending and ridding itself of traditional moral values and codes of conduct that have been formed for thousands of years to form a A brand new life concept different from their grandparents. On them, they not only embody a process of life that the young peasants of the early generation of the new era of socialism with Chinese characteristics must experience, but also reveal their values of life in the event of a dramatic change in the times. It can be said that to a certain extent, their meaning in life represents a direction that the young peasants in history diligently pursued and struggled for.