鲁迅《狂人日记》中狂人形象的真假问题,大致可归纳为“战士说”“狂人说”“寄寓说”.但三说似乎都失之偏颇.事实上,小说本身可提供的“象”(疯子);“象外之象”(战士);“象外之意”(历史吃人等)都是客观存在的.三者不仅不相互排斥,且紧密联系,互为依托.中国传统的美学讲求“象外之象”,“象外之旨”而这些美学原则,都是建立在艺术 The true and false images of madmen in Lu Xun’s Madman’s Diary can be roughly categorized as “fighters said,” “madman said,” and “allegory.” However, the three said that they all seem biased. In fact, the “elephant” (Madman); “elephant” (fighters); “like outside” (eating history, etc.) are objective .Three not only not mutually exclusive, and closely linked to each other rely on .Chinese traditional Aesthetics emphasizes “the image of the elephant” and “the object of the elephant” and these aesthetic principles are based on the art