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就像王朔,刘恒,刘震云,苏童这些靠“触电”而获得广泛知名度的作家一样,最近在好莱坞,也掀起了一阵“编剧明星热”。昔日灰头土脸,无人喝彩,躲在房间里默默耕耘的作家们,会因为成功改编了一部叫座片而身价倍增,一夜之间成为媒体关注的焦点。闪光灯的光芒使他们目眩,鲜花和美酒使他们陶醉,习惯了孤独寂寞的他们甚至不敢相信自己的眼睛,因为一切都来得太快了,这不是一场梦吧?编剧们的走红完全中搭了影片的车,借了那些票房大腕的光。如果我们为1999年哪些编剧能成为大腕开出一个清单,艾伦·波尔和查理·考夫曼(小孩子气的知识精英)肯定不在其中。
Like Wang Shuo, Liu Heng, Liu Zhen Yun and Su Tong, writers who gained widespread popularity through “electric shock,” they recently launched a series of “screenplay star hots” in Hollywood. Former writers, no one applauded, hiding in the room quietly writers, will be successful because of the adaptation of a seat-piece and worth doubled overnight became the focus of the media. Flash of light to make them dizzy, flowers and wine make them intoxicated, used to loneliness they can not even believe their eyes, because everything is too fast, this is not a dream? The movie car, borrowing the light of the biggest box office. If we make a list of which writers can become the biggest names in 1999, Alan Ball and Charlie Kaufman (elder intellectual elites) certainly will not be there.