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十九世纪末至二十世纪初和二十世纪八九十年代,书画作伪先后出现了两次高潮,而且一次比一次厉害,其作伪范围之广,作伪手段之高,伪品数量之大,令人咋舌。著名画家范曾,2009年在中央电视台做节目时讲,假手伪他的作品,全国共有五百万件之多。假手不仅伪古代书画的作品,而且大量伪造近现代以及当代的名家书画,造成鱼龙混杂、真伪杂糅的混乱局面,究其原因,主要有以下五点:
From the late nineteenth century to the early twentieth century and the eighties and nineties of the twentieth century, there have been two climaxes in the falsification of painting and calligraphy, one after the other, and the wide range of counterfeiting, the high counterfeiting and the large quantity of counterfeit goods, People speechless Fan Zeng, a famous painter, said in a program on CCTV in 2009 that there were a total of five million copies of his work in the country. False hand not only pseudo-ancient calligraphy and painting works, but also forged a large number of modern and contemporary famous calligraphy and painting, resulting in cohabitation, the confusion of authenticity and falsehood, the reason, mainly in the following five points: