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角色造型设计是观众对于一个动画片产生兴趣的第一要素,作为主角的造型设计更是承担了更多的功能。本文主要以2016年上映的《大鱼海棠》为例,分析里面女主角“椿”的动画形象设计,分层次解构这个角色的形象设计。
Character modeling is the first element of the viewer’s interest in an animated feature, and the styling as the protagonist takes on even more functionality. This article mainly takes “Big Begonia” released in 2016 as an example to analyze the animation image design of the heroine “Chun” and deconstruct the image design of this character at different levels.