“创新”似乎是艺术创作永远避不开的话题,从形式到内容,从表现手法到观念传达。而“传统”与“创新”似乎是一对矛盾的词汇,二者“相互对立,格格不入”。抽象水墨、都是水墨、实验水墨到如今的新水墨无不例外的都以“新”字打头,希望真正开创一段中国画的新历史。任何一种新型事物的产生都会遭到一些人的评头论足,新水墨也不例外,特别是当代中国画处在一个危机与新生、破坏和 “Innovation ” seems to be the topic of art creation that can never be avoided, from form to content, from expression technique to concept transmission. And “tradition ” and “innovation ” seem to be a pair of contradictory words, both “opposite, incompatible ”. Abstract ink and wash are all ink and ink, experimental ink and wash ink to today’s new ink and wash without exception all begin with “new”, hoping to really create a new history of Chinese painting. The emergence of any kind of new things will be criticized by some people, the new ink is no exception, especially in contemporary Chinese painting crisis and newborn, vandalism and