东君作为当代70后重要作家之一,作品兼具东方古韵与西方现代派手法,其创作经历了从先锋到传统两个阶段。在后一阶段更是在其作品中旗帜鲜明地表达了他强烈的城市逃离与乌托邦建构思想倾向。本文引入声音这一听觉叙事,从城市的声音、乡村的声音以及声音的独特性三个方面来探讨东君小说中的城市逃离与乌托邦想象。 As one of the important post-70s writers in the contemporary era, Dongjun’s works are both oriental ancient rhyme and western modernism. His writing has gone through two stages from vanguard to tradition. In the latter stage, it is even more clear in his works that his strong tendency of urban flight and utopian construction tends to be expressed. This article introduces the auditory narrative of sound, and discusses the urban escape and utopian imagination in Dongjun novels from three aspects: the voice of the city, the voice of the village and the uniqueness of the voice.