明末清初的百余年间是中国社会的大变革时代,少数民族又一次入主中原。在这样一种改朝换代的时代背景下,整个社会的哲学思潮、意识形态也发生着急遽交替与更迭。在艺术领域,受社会主流审美风尚的影响,文人画家也在悄悄分裂为两派,一派顺应时势,在文艺上积极营构有清的统治,其在艺术格的表现上呈现出对传统艺术的坚守;另一派则是在生存矛盾的冲突和压抑中陷入了对传统的反思和批 In the late Ming and early Qing dynasties, the great reform era of Chinese society was over a hundred years. Minorities once again entered the Central Plains. In the context of such a dynastic era of change, the philosophical trend of thought and ideology in the entire society have also undergone rapid changes and changes. In the field of art, influenced by the aesthetic mainstream of society, literati painters are quietly splitting into two groups. One group follows the trend and actively constructs a clear rule in literature and art. Perseverance; the other party is trapped in the conflict and repression of contradictions in the traditional reflection and criticism