《艺术评论》:沿着您多年的艺术创作轨迹,从《寒情》、《孔乙已》到《藏书之家》、新版《梁祝》等,能够看到其中明晰的方向和追求。我想知道您如何看待《江南好人》在这个轨迹中的位置?茅威涛:《江南好人》的创作,相当于《西厢记》之后创作的《寒情》和《孔乙己》等作品,是在追求越剧唯美、诗化的纯度和高度之后的思变,是逐步沉淀下来的某种思考:怎样避免复制那种众所周知、业已习惯了的唯美风格。我是一个不太安 “Art Review”: Along the years of your artistic creation, you can see the clear directions and pursuits from “Han Qing”, “Kong Yi You” to “Collection House” and “Liangzhu”. I would like to know how you look at the position of “Good Man of Jiangnan” in this track? Mao Weitao: The creation of “Good Man in Jiangnan” is equivalent to the works of “Han Qing” and “Kong Yi Ji” created after The Romance of the West Chamber. Aesthetic, poetic purity and height after the change is a gradual precipitation of some kind of thinking: how to avoid the kind of well-known, have been accustomed to the aesthetic style. I am not very safe