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鲁迅自幼受到传统文化与民间文化的熏陶,在经历了上世纪初中国社会变革和思想文化的巨变后,他逐渐形成了自己独立的思想,成为20世纪的文化巨人之一。他对戏剧艺术的见解,不仅涉及到戏剧与时代现实、戏剧与社会人生的戏剧功能问题,更触及到戏剧的审美内涵与戏剧的艺术本体问题,无论对于传统戏曲的批判、继承和发展,还是对于现代话剧的借鉴和发展等戏剧文化的宏观把握,都有着极为深邃的眼光和卓越的见识。
After being influenced by the traditional culture and folk culture since his childhood, Lu Xun gradually formed his own independent thought and became one of the cultural giants in the 20th century after having undergone tremendous changes in China’s social transformation and ideology and culture in the early of last century. His views on drama art not only relate to the dramatic functions of drama and contemporary realities, drama and social life, but also touch on the aesthetic connotation of drama and the artistic noumenon of drama. Whether he criticizes, inherits or develops traditional Chinese opera, For modern drama drama and cultural development and other macro-grasp, have a very profound vision and excellent knowledge.