在中国文化语境中,传统二字是什么时候也离不开的主题词。面对多元文化的冲击与挑战,京剧艺术的振兴与弘扬,不论有什么新思维、新举措,也不论怎样的与时俱进迎合时尚,对传统的继承与守望,始终是成功与否成效如何最首要也是最重要的评定标准,作为民族历史文化结晶载体的京剧艺术,她当然是从传统中来,在继承基础上创造发展,在创造发展中又形成新的传统,然而,这传统的底线到底该划在哪里?本文以《戏文内外》一书为一典型案例,试对“底线”进行辨析。 In the Chinese cultural context, the traditional word is also inseparable from the keyword. Faced with the impact and challenges of multiculturalism, the revitalization and promotion of the art of Peking Opera, no matter what new thinking and new measures are taken, no matter what time goes by to cater to fashion, inherit and keep the tradition, it is always a success or not. The most important and most important assessment standard. As the opera of Peking Opera, which is the carrier of the crystallization of national history and culture, she naturally came from tradition, created development on the basis of inheritance and formed a new tradition in her creation and development. However, the traditional bottom line In the end where to draw? In this paper, “inside and outside the play,” a book as a typical case, try to “bottom line” for discrimination.