写生和创新两个词汇,在近百年来的近现代特殊语境下,对中国画的认识、研究、创作产生了误导,使中国画肤浅化、表面化,脱离了传统中国画的高尚追求。究其原因,一是对优秀传统一知半解,二是急功近利的绘画动机,三是意识形态的约束,四是狭隘的艺术视野,五是生搬硬套西方绘画方式等,且这些方面又都纠结在一起。 In the recent century, under the special circumstances of nearly a century, the understanding, research and creation of Chinese painting have been misleading, making the Chinese painting shallow and superficial, breaking away from the noble pursuit of traditional Chinese painting. The reasons are as follows: First, there is a poor understanding of excellent traditions; second, motivation for quick success; thirdly, the restriction of ideology; fourth, the narrow view of art; and fifth, the application of hard-wired western painting methods and so on.