论文部分内容阅读
在如何看待日常生活审美化这一问题上,现代主义美学和后现代主义美学表现出两种不同的话语立场:前者主张保持审美的自律性和超越性,维护审美的无功利性和精神自由,却导致了审美与生活的脱节,审美成为资产阶级贵族的专利;后者主张消解精英主义文化观念,让审美回归普通大众的世俗幸福,倡导审美与日常生活的融合,却加重了审美的商品化、犬儒主义和虚伪主义。面对现代主义美学和后现代主义美学暴露出来的双重危机,马克思主义美学一方面以实践论强调审美的大众化而非审美的泛化,另一方面又从人类学的根基上阐释审美理想对于人类的价值和意义。
On the question of how to treat the aestheticization of daily life, modernist aesthetics and postmodernism aesthetics show two different discourse positions: the former advocates the maintenance of aesthetic self-discipline and transcendence, the maintenance of aesthetic non-utilitarianism and spiritual freedom, But leads to the disconnection between the aesthetic and the life, and the aesthetic becomes the patent of the bourgeois aristocracy. The latter advocates dissolving the elitist cultural concept, amending the secular happiness of the common people and promoting the integration of the aesthetic and the daily life, but aggravating the commercialization of the aesthetic , Cynicism and hypocrisy. In the face of the double crisis exposed by the aesthetics of modernism and postmodernism, Marxist aesthetic theory emphasizes the popularization of aesthetic rather than aesthetic generalization on the one hand, and interprets the aesthetic ideal on the basis of anthropology on the other hand. The value and meaning.