论文部分内容阅读
对于精神世界缤纷五彩、情感活动细腻复杂的文人作家们来说,主体建构往往经过否定之否定的哲学发展规律,才会逐渐成熟和趋于稳定。从文体学角度来看,小说与杂文这两类文体与曹禺的个性气质、思维特征并不十分契合。曹禺性格偏于激情冲动,这种个性气质显然不利于小说叙事,杂文创作需要透彻的分析、严密的逻辑,这对感性极强的曹禺也是一个很大的挑战。就诗歌这一文体来说,与曹禺的个性气质倒是十分契合,但曹禺最终却选择话剧作为自己文学创作的主阵地,这里面包含着复杂的主客观因素。
For the literati writers who are rich in spiritual world and subtle and complex in their emotional activities, the subjective construction tends to gradually mature and tend to be stable after the negative law of philosophical development. From the perspective of stylistics, fiction and essay two types of style and Cao Yu’s personality temperament, thinking characteristics are not very fit. The character of Cao Yu is biased towards passion. This personality temperament is obviously unfavorable to the narrative of novels. Essay writing requires thorough analysis and strict logic. This is also a great challenge to the highly emotional Cao Yu. As far as the style of poetry is concerned, Cao Yu’s personal temperament is quite fit, but Cao Yu ultimately chose drama as the main front for his literary creation, which contains complicated subjective and objective factors.