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在我没有见到史纳莫先生以前,我对这位波兰指挥家一无所知,只知道武汉乐团邀请他指挥2005年音乐李7月的一场。出于职业习惯,我在采访他之前,希望得到更多关于他的资料,于是上网去查。在 GOOGLE 里输入他的名字后,我发现了大量关于他的消息可惜全是波兰文。我放弃了查询,对于这位波兰音乐家,我只剩下想像。朋友推荐给我一部波兰影片《钢琴师》。影片讲述的是一位波兰犹太音乐家在二战时期悲惨的遭遇。男主角内敛、忧郁,默默地承受着不幸的命运,他用一双音乐家的眼睛看着那个战乱的世界。他是一个受害者,却又仿佛在冷眼旁观。我想大概波兰的音乐家们应该具有相似的气质吧。再看看武汉乐团7月交响音乐会的节目单,史纳莫选择的曲目是艾尔加的大提琴协奏曲和勃拉姆斯的 C 大调第三交响曲。这些都是深沉舒缓的乐曲,这使我更加确定了先前对史纳莫先生的猜想。
Before I could see Mr Snamah, I knew nothing of the Polish conductor, only knowing that the Wuhan Orchestra invited him to direct the 2005 Music Lee in July. Out of professional habits, I interviewed him before, hoping to get more information about him, so go online to check. After I entered his name in GOOGLE, I found a great deal of news about him, all in Polish. I gave up the query, for the Polish musician, I only imagine. A friend recommended me a Polish film “Pianist.” The film tells the tragic story of a Polish Jewish musician during World War II. Actor restrained, melancholy, silently bear the unfortunate fate, he used the eyes of a pair of musicians watching the world of war. He is a victim, but he seems to be on the sidelines. I think maybe Polish musicians should have similar temperaments. Take a look at the program for the Wuhan Symphony Orchestra’s July symphony concert. The tracks chosen by Schnauzer are Elgar’s Cello Concerto and Brahms’ Symphony No. 3 in C major. These are deep, soothing pieces of music that have made me more certain of my previous conjecture about Mr. Snaemo.