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在苏州举办的第十届中国戏剧节上,本是舞剧经典的《丝路花雨》这次以京剧的面貌出现,具有相当水准的形式美,令人惊艳。无论是剧情的增删还是唱腔里融入的新元素都使人耳目一新,但创新也意味着冒险。本文试从《丝路花雨》由舞剧转变为京剧的过程探讨其得失,希望京剧等戏曲演出除了让观众享受到视觉的豪华盛宴外,还能还原戏曲原本的魅力。
At the Tenth China Theater Festival held in Suzhou, this is the classic “Ballad of the Silk Road”, which appeared in the style of Beijing Opera. It has a rather standard form beauty and is stunning. Whether the addition or deletion of the plot or the new elements into the singing are refreshing, but innovation also means adventure. This paper attempts to explore the gains and losses from the transition from ballet to Peking opera in Silk Road, Rain, and Rain. It is hoped that opera performances such as Peking Opera can restore the original charm of the opera in addition to providing the audience with a luxurious feast of vision.