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本文从庐隐小说创作的物象入手,不仅从关注社会、关注国家的“虑的激越”的角度分析了庐隐小说物象,还从其大量直视女性自我内心,直逼女性情感的“恋”的幻像作品入手,分析并确认了庐隐在中国现代文学史上“主观抒情浪漫主义小说家”地位。
This article begins with the image of Lu Yin’s novels, not only analyzes the objects of Lu Yin’s novels from the perspective of focusing on the society but also focusing on the state “Love ” phantom work to start, analyze and confirm Lu Yin in the history of modern Chinese literature “subjective lyric romantic novelist ” status.