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据Artprice年度报告称,2009年当代艺术成交量和成交额均有下降,人们的投资和收藏倾向转为更稳定保值的古典及现代艺术。从全球艺术品拍卖数据看,当代艺术的成交额从2008年占全球艺术品拍卖总额的16%下降到2009年的10%,早期大师作品从6.8%上升至12.5%,现代艺术从44%上升至48%。去年法国伊美·圣.罗兰藏品的天价拍卖,伦敦佳士得拍出的4270万美元的拉斐尔素描《缪斯头像》,纽约苏富比拍出的3900万美元的安迪·沃霍《200张一美元》都在清楚地告诉我们市场正在回暖,但有当下的收藏趋势。也由此,TEFAF成为了本季最亮眼的焦点,Armory Show凭借纽约艺术中心的优势及自身扎实的根基安全着陆,而同样历史悠久的Arco却面临着内因和外因的双重夹击。
According to the annual report of Artprice, the volume and turnover of contemporary art declined in 2009, and people’s investment and collection tend to turn into more stable and conservative classical and modern art. According to the global art auction data, the turnover of contemporary art dropped from 16% of the total global art auction in 2008 to 10% in 2009, while that of early masters increased from 6.8% to 12.5%, while that of modern art increased from 44% To 48%. Last year’s high price auction of the collection of Saint Emilion in France, Christopher’s $ 42.7 million Rafael sketch “Muse” by Christie’s in London, and Andy Warhol’s $ 39 million auctioned by Sotheby’s in New York City “200” One dollar "are clearly telling us that the market is warming up, but there is a trend of the current collection. As a result, TEFAF became the most dazzling spot of the season. Armory Show landed safely with its solid foundation and the historic New York Art Center. However, Arco also faced the double attack of internal and external causes.