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徐悲鸿,被誉为中国现代绘画第一人。受新文化运动思想的影响,他远赴欧洲学习油画,并以一颗赤诚之心将西方绘画中的求真写实观念和技法融入中国笔墨之中,以寻求改良中国画之法。但此举至今褒贬不一,有人称赞,有人非议。称赞者认为徐悲鸿将中国画引向了一条从未走过的写实之路。而斥责者认为徐悲鸿引入的写实观念和技法与中国画传统观念与平面构成的本质背道而驰,因此误导了中国画的正确发展。20世纪初,徐悲鸿、林风眠等一大批中国艺
Xu Beihong, known as the first person in Chinese modern painting. Influenced by the thought of the New Culture Movement, he went to study oil painting in Europe and, with a sincere heart, fused the realistic and realistic ideas and techniques in western painting with Chinese ink and calligraphy in order to seek the method of improving Chinese painting. However, the accusation so far has been mixed. Some people commend it for being criticized. Complimentors think that Xu Beihong leads the Chinese painting to a realistic road that he never walked through. The reproaches think that the realistic ideas and techniques introduced by Xu Beihong run counter to the traditional concept of Chinese painting and the nature of the plane composition, thus misleading the correct development of Chinese painting. Early 20th century, Xu Beihong, Lin Fengmian and a large number of Chinese arts