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我认为,作为美术研究的客体——各种客观存在的美术现象,都是可以研究的,应该没有什么“禁区”,问题的关键,是作为美术研究的主体——美术研究者自身,持怎样的观点和方法。说实话,我个人并不喜欢“前卫艺术”,每个人都可以有不同的艺术爱好。但作为一个主持人,我还得在我所主持的栏目内,尽可能让作者朋友有发表自己不同艺术见解的机会。因此,本期刊发刘能强和李超德先生就前卫艺术问题的讨论文章,应该说是学术探讨中一件极平常和正常的事。 在20世纪的中国美术研究中,日本的中国美术研究不可忽视,大村西崖更是一个不应该忘记的人物。刘晓路研究员的访日调查报告认为,大村西崖的贡献在于:他最早全面而系统地用近代观念和考古材料来研究中国美术,成为全世界最早在大学开设中国美术史课程的教授,他的《中国绘画史》、《中国美术史·雕塑篇》、《文人画之复兴》,成为20世纪初中国美术研究的名篇。不仅在日本,而且在中国及全世界,至今像他著有那么多的中国美术研究著述的人仍然是罕见的。他作为中国美术研究的近代开创者之一。对陈师曾、傅抱石、潘天寿、俞剑华等中国美术研究的近代先行者有诸多影响。
In my opinion, as the object of art research, all kinds of objectively existing art phenomena can be studied and there should be no “restricted area”. The crux of the issue is as the main body of art research - how do art researchers themselves? Point of view and method. To be honest, I personally do not like “avant-garde art” and everyone can have different artistic interests. However, as a moderator, I still have to give the author friend a chance to express my own different artistic opinions in the section that I preside over. Therefore, the current issue of articles by Liu Nengqiang and Li Chaode on avant-garde art issues should be said to be an extremely normal and normal issue in academic discussions. In the study of Chinese art in the 20th century, the study of Chinese art in Japan can not be neglected. West Village Clifford Omura is a figure that should not be forgotten. Liu Xiaolu, a researcher’s visit to Japan survey, believes that the contribution of Omura West Cliff is: He was the first comprehensive and systematic use of modern concepts and archaeological materials to study Chinese art, becoming the world’s first university in China to open a course of Chinese art history professor, his “ Chinese painting history ”,“ Chinese art history · sculpture ”,“ revival of literati painting ”, became the 20th century Chinese art research famous. Not only in Japan, but also in China and around the world, so many people like him who study Chinese art writing are still rare. He is one of the pioneers of modern Chinese art research. There are many influences on the pioneers of modern art in China such as Chen Shizeng, Fu Baoshi, Pan Tianshou, Yu Jianhua and others.