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1905年,北京丰泰照相馆拍摄的戏曲片《定军山》拉开了中国国产电影的序幕。尽管与世界电影相比,中国电影迟到了10年,但从诞生至今,也已有百年的历程。在这百年探索中涌现的电影作品,不仅是当时中国社会的记录,更深深地影响了中国几代人。回首经典中国电影的艺术魅力,我们或许难以还原这百年电光幻影的真与美,但可以清晰看到,电影的拍摄技术以及它们所蕴容的文化氛围和义理内涵在不断地超越。人类在这个时代中生活方式的巨大变化以及传播媒体的革新,都在不断地改变着电影的形态及存在方式,电影也会继续在人类文明和社会进步中寻到自己的位置。在此我们试图关注和捕捉几个容易被遗漏或者轻视的角度和线索,梳理一务主流价值形态之外的中国电影之路。
In 1905, the drama “Dingjun Mountain” shot by Beijing Fengtai Photo Gallery opened the prelude of China-made movies. Although Chinese films have been late for 10 years compared to world cinema, they have been around for a hundred years since their birth. The films that emerged during this century's exploration are not only the records of the Chinese society at that time, but have even affected the generations of China even more deeply. Looking back on the artistic charm of classic Chinese films, we may find it hard to restore the true and the beauty of this century-long electro-optical illusion. However, we can clearly see that the filming techniques and the cultural atmosphere and moral connotation they contain are constantly surpassing. The great changes of mankind's life style and the media revolution in this era are constantly changing the form and mode of existence of the movie. The movie will also continue to find its place in the progress of human civilization and social progress. Here, we try to pay attention to and capture a few perspectives and clues that are easily overlooked or contemptuous, and sort out the Chinese film route beyond the mainstream value forms.