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进入９０年代，曾经影响甚大的“朦胧诗”新诗潮已基本消退，究其原因较为复杂，北岛后期诗歌的明显变化从创作自身部分地反映了这种悲剧性命运的深刻根源。本文以北岛《白日梦》中的代表作品为研究文本，从哲学意绪、审美诗性和诗话形式等方面分析了北岛后期新诗的特．点、不足和矛盾，并在生存和死亡、时间和空间等普遍抽象诗义的层面上探讨了诗歌创作的基本规律和法则，从而丰富诗歌的理论话语。
Into the 90’s, the new poetry wave of “Misty Poetry”, which had a great impact on the past, has basically disappeared. The reason for this is quite complicated. The obvious change in the late Bei Dao poetry partly reflects the profound roots of this tragic fate. Taking the representative works of Daydream in the North Island as the research text, this article analyzes the special features of the new poems in the late period of North Island from the aspects of philosophical mood, aesthetic poetic and poetic forms. Points, deficiencies and contradictions, and discusses the basic laws and rules of poetry creation at the level of universal abstract poetics such as survival and death, time and space, so as to enrich the theoretical discourse of poetry.