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新中国成立后,很多画家自发地或受政令引导采用写实主义方法表现中国革命英雄的英勇气概和中国革命的艰辛历程。董希文1956年创作的巨幅历史画《红军过草地》并没有像《开国大典》《百万雄师下江南》一样备受推崇,甚至还被扣上“革命悲观主义”的帽子。其实通过细心观察与对历史回溯,不难发现这幅画是作者以史实为依据、兼顾时代现实,为后人留下的一尊史诗般的英雄群像。
After the founding of new China, many painters, spontaneously or under government orders, used realistic methods to demonstrate the heroic spirit of the Chinese revolutionary heroes and the difficult course of the Chinese revolution. Dong Xiwen’s huge historical painting “The Grassland of the Red Army” created in 1956 was not as highly respected as the “founding ceremony of the founding of the People’s Republic of China” or “under the million natural warriors under the south,” and was even labeled “revolutionary pessimism.” In fact, through careful observation and retrospection of history, it is not difficult to find out that this painting is an epic heroic group left by the posterity based on historical facts and taking into account the realities of the times.