中国戏曲唱腔,作为中国所独有的民族声乐艺术之一,以其独特的艺术魅力自立于世界声乐艺术之林。然而,令人遗憾的是,多年以来,就连戏曲唱腔究竟是不是“声乐”,尚存在较大争议,因此,关于唱腔的声乐学研究,就明确地带有商榷性、探索性、讨论性乃至开拓性特点。而作为声乐人,理应知难而进,对这一学术问题进行较深入的研究,并得出较为科学恰切的结论。为此,笔者结合个人多年来的声乐教学实践与理性思辨,对这一问题发表若干浅见,以就教于专家和同行。 Chinese opera singing, as one of China’s unique national vocal art, with its unique artistic charm independent of the vocal arts in the world forest. However, it is regrettable that for many years, even if opera singing is not “vocal music”, there is still much controversy. Therefore, the study of vocal music about singing has clearly made a debatable, exploratory, Pioneering features. However, as a vocal music artist, it is reasonable to know what is going on so as to make a deeper study on this academic issue and to draw a more scientific and appropriate conclusion. To this end, the author combined with many years of personal vocal teaching practice and rational speculation on this issue made a number of humble opinion, to teach in the experts and colleagues.