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不久前,我看了《中国戏剧》上的一篇文章《张庚,当代戏剧学术导师》,感触很深。文章这样写道:“作为戏曲史家的张庚先生,他的戏曲理论既建立在坚实的历史研究基础之上,更是用历史的和发展的眼光去看待当今戏曲的现实和未来——启迪和指导着当代的戏剧人如何继承优秀传统,不断开拓创新、与时俱进、去开创我国戏剧事业的新天地。”我作为一名戏剧学院的老师,常常也在思考:教学虽然以传承为目的,但在新的时代下,以新的审美观关照传统的教学剧目,也应该是我们这些做教师的责任。今年年初,学院领导和系主任决定由我指导排练
Not long ago, I read “Chinese drama” an article “Zhang Geng, contemporary theater academic mentor,” deep feeling. The article writes: “As a drama historian, Mr. Zhang Geng, his theory of drama is based on a solid foundation of historical research. It is also about the reality and future of today’s drama with a historical and developmental perspective - enlightenment And guide contemporary theatrical people how to inherit the fine traditions, keep on exploring and innovating, advancing with the times, and opening up a new world for the cause of Chinese drama. ”As a teacher of a drama academy, I often think: teaching, However, in the new era, it is also our responsibility as teachers to take care of the traditional teaching repertory with a new aesthetic concept. Earlier this year, the college leaders and faculty directors decided to lead my rehearsal