在中国历史上,元代以疆域辽阔和武力治国而闻名。曾有史学家认为,蒙古军“崖山之战”的胜利,标志着古典意义上华夏文明的衰败与陨落,正所谓“崖山之后无中华”是也。而谈到元代的书法史,似乎便是近于赵孟一家独大的局面。元代虽介于宋、明之间,但承前启后的作用不甚明显。若以艺术风格的丰富性和创变格局而论,其略显尴尬 In Chinese history, the Yuan Dynasty was famous for its vast territory and its military administration. Some historians believe that the victory of the Mongol army and “Battle of the Cliff Mountain” marked the decline and fall of the Chinese civilization in the classical sense. The so-called “no Chinese after the Cliff Hill” is also true. When it comes to the history of calligraphy in the Yuan Dynasty, it seems that the situation is almost dominance of Zhao Meng. Although the Yuan Dynasty was between Song and Ming dynasties, its role was not obvious. If the artistic style of the rich and the pattern of innovation, its slightly awkward