跃华初学染织,后攻绘画,故多以花鸟为题,是有缘故的。跃华画国画,并画水彩,其水彩尤有特点.跃华的水彩其用笔用色与中国画之没骨神似,但也有不同。其不同处,是其情致。跃华多将花鸟置于一个现实而富象征的背景之中,借助空间,渲染晨烟夕霭,形成或疏淡,或苍凉,或冷峻,或萧森的氛围,实有几分戏剧性。或花或鸟,遂亦成为剧中的角色。铺排开的遂不止是一种情绪,亦同时在叙述一个有始有终的故事。很显然,这样的方式非中国所固有,它源自西洋,但在西洋画中,花就是花,鸟就是鸟,描绘其性状时,很少延伸出花鸟以外的情感变化。这样看来,跃华的方式很独特,有古有今,有中有西 因有今而与古有异,因有中而与西有别,终至于不古不今,又西又中。这也许就是很难具体描述的时代性。 Yuehua beginner weaving, painting after the attack, so many birds and flowers to the title, is a reason. Yuehua Chinese painting, and draw watercolors, the watercolor is particularly characteristic of Yuehua watercolor pen with color and Chinese painting is not boneless, but there are differences. Its difference is its affection. Yue Hua more birds and flowers will be placed in a realistic and symbolic background, with the help of space, rendering the morning mist, forming or dilute, or desolate, or cold, or Hsiao Sen atmosphere, it is somewhat dramatic. Or flowers or birds, then also become the role of the play. It is not just a mood that is laid aside, but also an end-of-story. Obviously, such an approach is not inherent to China. It originated from the Western Seas. However, in Western paintings, flowers are flowers and birds are birds. When depicting their traits, sentimental changes other than flowers and birds rarely extend. In this way, Yuehua is unique in its way of being ancient and modern, with some of the West being different from the ancient because of its present and its difference from the West because of its middle one, and finally ending its ancient and modern ways. This may be difficult to specifically describe the times.