论文部分内容阅读
《福建艺术》“宝岛戏颜”的栏目,将以特约邀稿的方式聚焦台湾表演艺术界的众声喧哗,搭建起交流探索的平台,以期有相互交会的冷肃旁观与蕴藉思考。2004年由台湾制作苏州昆剧团演出的全本昆剧《长生殿》与《牡丹亭》,前者的推手是企业大家陈启德先生,以原汁原味的传统情韵为重点:后者的主帅是文坛桂冠白先勇先生,以青春气息的古典诗意为创作主体。速两出耗资千万聚合无数菁英打造的昆剧经典,点燃了台湾表演艺术界的火花,引爆了社会各界的观赏热潮,一时之间欣赏昆剧演出俨然成为“时尚文化”的表征:且让我们追随着王安祈教授与张淑香教授的这两篇大作,以及陈鹏昌先生所拍摄的精美剧照,一起来顾盼命湾的昆剧大梦。
The column of “Fujian Art” and “The Treasure Island in Taiwan” will focus on the hubbust of Taiwan’s performing arts field with specially invited manuscripts and set up a platform for exchange and exploration so as to give thought to the indifference and implication of mutual rendezvous. In 2004, the Kunqu Opera “Eun-Sheng Hall” and “The Peony Pavilion” performed by Taiwan Kunju Opera Troupe performed by Taiwan, whose former promoter is Mr. Chen Kai-De, a business enterprise, focusing on the original traditional rhyme mood: the latter’s coach is a literary altar Mr. Bai Xianyong crown, with youthful flavor of classical poetry as the main creative. Spent millions of millions of millions of people combined to create the Kunqu Opera classics, ignited the spark of Taiwan’s performing arts industry, detonated the viewing boom of the community, for a moment to enjoy Kunqu Opera performances has become a symbol of “fashion culture”: Let us follow these two masterpieces of Professor Wang Anqian and Professor Zhang Shuxiang together with the fine stills shot by Mr. Chen Pengchang to look forward to the Dream of the Great Kunlun in the Gulf of Life.