上个世纪90年代之前,人们谈论文学艺术,谈论精神家园,都会不约而同地将目光投放在农村,投放在深厚、开阔、豁达,养育了我们的土地上。这种由农村风情、遍野沃土、质朴乡民和野性生态集体构成的“母体”文化,在文学作品《男人的一半是女人》、《爸爸爸》,电影《红高粱》、《老井》及电视剧《篱笆、女人和狗》等作品中,展现得淋漓尽致、意味绵长。流淌其中的主线是:在以封建宗族社会构成的土地背景中个人的理想、追求与挣扎。这些 Before the 90s of last century, when people talked about literature and art and talked about spiritual homeland, they all lay their eyes on rural areas and put them on the land that is deep, open, open-minded and upbringing us. This “maternal” culture, which is composed of rural customs, fertile soil, rustic villagers and wild ecological collectives, has been widely used in literary works such as “half of a man is a woman,” “father and father,” “Red Sorghum, ”And the TV series“ Fence, Woman and Dog ”and other works, demonstrated most vividly. The main thread flowing among them is: the ideal, the pursuit and the struggle of the individual in the land background formed by the feudal clan society. These ones