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电影有所谓的大片,戏剧也有大戏。贝克特的《等待戈多》和雨果的《九三年》就是最近上演的两部大戏。对它们做点比较,是挺有意思的。《等待戈多》不在于刻画人物形象,或讲述故事情节。它所呈现的是闪现在作者脑子里的各种各样的观念,或者说观念的碎片,而这些观念都指向形而上的终极关怀,其间也有一些生动而富有寓意的细节,但这些细节全都被安排在一个比较虚化的背景里,剧中人物代表的是全人类,人物的一切言行举止也具有普世意义,是超越一时一地的哲学概括。
The movie has so-called blockbuster drama also has drama. Beckett’s “Waiting for Godot” and Hugo’s “Nine-three” are two recent dramas. It is interesting to compare them. Waiting for Godot is not about characterization or storyline. It presents a variety of ideas, or fragments of ideas, that flashed in the author’s mind, all of which point to the metaphysical ultimate concern with some vivid and almighty details that are all arranged In a rather blunt background, the characters in the play represent all mankind, and all the demeanor and demeanor of the characters also have the universal meaning, which is a philosophical summary that transcends time and place.