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基于女性艺术已然成为当下艺术领域中最受关注的艺术种类这一事实,对它在当代文化发展中的脉络演变进行即时的记录与演化对策的研究是非常必要的。跟踪记录一种艺术现象的发生、成熟与衰败,并从中剖析获得这种艺术现象与艺术本质的关系,是艺术理论研究的根本目的。考察新疆当代女性艺术生态,是当今艺术研究中区域性研究的典型体现,通过对女性艺术的区域性研究,来发现女性艺术的生衍对环境和文化背景以及社会结构的选择与因此而受到的制约。重点分析当代新疆女性艺术在作品形式语言上的特点,以及观念和语境的所造成的作品指向性的强弱相异(从形式本体的批评分析入手)。由此得出一个初步的结论:女性艺术在新疆的土壤上发育发展所呈现出弱势的原因与新疆整体文化语境的关系。观念的转变对艺术发展能带来的影响和指导作用。
Based on the fact that feminine art has become the most concerned art genre in the contemporary art field, it is necessary to study its immediate recording and evolution strategies in the development of contemporary culture. Tracking the occurrence, maturity and decline of an artistic phenomenon and analyzing the relationship between obtaining such artistic phenomena and the essence of art is the fundamental purpose of art theory research. Investigating the artistic ecology of contemporary women in Xinjiang is a typical example of the regional studies in contemporary art research. Through the regional study of the art of women, it is found that the selection of environmental and cultural backgrounds and social structures of women’s art and the resulting consequences Restrictions. This paper focuses on analyzing the characteristics of contemporary Xinjiang female art in the formal language of works, as well as the differences in the directionality of works caused by the concepts and contexts (starting from the criticism and analysis of the formal ontology). This leads to a preliminary conclusion: the relationship between the weakness of female art in the soil development and development in Xinjiang and the overall cultural context of Xinjiang. The impact of the change of concept on the development of art and its guidance.