“歌体诗”是中国诗歌近代化历程中的重要阶段。作为“歌体诗”的重要代表作家 ,秋瑾的“歌体诗”实践有力推进了近代诗歌的体式变革。其“歌体诗”一体由变通的歌行和新创的歌词构成两翼 ,共同代表着她从语言、韵律、节奏、句式、章法等基点出发 ,打破旧诗形式 ,获得诗体解放的可贵努力和可喜成绩。本文第一部分总论“歌体诗” ,藉以揭示秋瑾诗体创新的时代背景 ;第二部分细说秋瑾的“歌体诗”创作 ,并兼及秋瑾词作之评价 “Song of Songs” is an important stage in the modernization of Chinese poetry. As an important representative writer of “Song of Songs”, Qiu Jin’s “Song of Songs” practice has promoted the transformation of the style of modern poetry. The “Song of Songs” is a combination of two verses, which is composed of versatile songs and newly created lyrics, which together represent her precious efforts to break the old forms of poetry and achieve the liberation of her poetry from the perspectives of language, rhythm, rhythm, sentence pattern and chapter law. And gratifying grades. The first part of this article is a general introduction of “Song of Songs” in order to reveal the background of Qiu Jin’s poetic creation. The second part elaborates on the creation of Qiu Jin’s “Song of Songs” and the evaluation of Qiu Jin’s poems