随着马来西亚华文作家国籍的转变,更重要的是作家的心态发生转变,20世纪80年代开始涌动,至20世纪末、21世纪初渐成规模,华裔作家的汉语写作中的中国想象出现了新的变化:有些学者及其“新生代”的作家,逐步将故乡情结虚化为原乡神话,逐步将“故乡”虚化为带有神话色彩的祖辈的“ More importantly, as the nationality of Malaysian Chinese writers changed, more important was the change in the mentality of the writers. The 1980s began to flourish. By the end of the 20th century and the beginning of the 21st century, the Chinese imagination in Chinese writing appeared new Changes: Some scholars and their “new generation” writers, gradually hometown complex as a hometown myth, and gradually “hometown” into a fairy tale myth of the "