论文部分内容阅读
今年7月11日国务院办公厅印发的《关于支持戏曲传承发展的若干政策》,现在已经成为中国戏曲界热烈学习研究的最重要文件了。我在第一次学习这个文件时,最兴奋的直觉是,这太好了,戏曲多年来不景气,衰落穷困,现在国家规定各地各部门都要对戏曲给予支持,戏曲振兴大有希望。我想与我共鸣的人大约不在少数。但当我二读三读反复思考后,我发现,不能如此简单片面地学文件,这个文件通知的对象是各级政府、各部委,直属机构,而
The “Policy on Supporting the Inheritance and Development of Traditional Chinese Opera” issued by the General Office of the State Council on July 11 this year has now become the most important document for the enthusiastic study and study of Chinese opera circles. When I first learned about this document, I was most excited about the intuition that this is great. The drama has been in a downturn for many years and has been in a downturn. Now the state stipulates that all localities and departments should give their support to traditional opera and there is great hope for the revival of opera. I want to resonate with about a few people. However, when I repeated my thoughts on second reading and third reading, I found that I could not learn documents simply and in a one-sided manner. The object of this notification was all levels of government, ministries and commissions and agencies directly under the