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《蝴蝶梦》是20世纪英国著名女作家达夫妮·杜穆里埃的成名作。作者在该书中成功塑造了多个个性鲜明、栩栩如生的艺术形象:吕蓓卡,迈克西姆和“我”。本文采用文学伦理学的批评方法分析《蝴蝶梦》,发现二十世纪上半叶英国资产阶级贵族家庭中具有代表性的善恶冲突,揭露当时资产阶级伦理道德中虚伪的一面,并折射出作者对平等高尚的爱情的追求。
“Butterfly Dream” is a famous work of the famous British woman writer Daphne do Mullier in the 20th century. In the book, the author successfully created a number of distinctive, lifelike artistic images: Lu Bei-card, Maxime and “I ”. This thesis uses the method of literary ethics to analyze the “Butterfly Dream” and finds a representative conflict between good and evil in the bourgeois aristocratic families in the first half of the 20th century. It reveals the hypocrisy side of bourgeois ethics and reflects the author The pursuit of equality and noble love.