嵇康是魏晋时期有名的文学家、思想家、音乐评论家。他的《声无哀乐论》是我国古代史上(除《乐记》外)一篇思想自成体系的音乐美学专著。其深入到音乐的内部,在自觉探讨意义的特殊性时,在音乐的表现力、音乐鉴赏中的声情关系、音乐的功能等方面都提出了不少颇有价值的见解,在当今中国音乐美学研究领域中有着十分重要而深远的意义。 Ji Kang is a well-known writer, thinkers, music critics during the Wei and Jin Dynasties. His “sound without sorrow and sorrow” is a monograph of music and aesthetics in the history of our country (except “Yue Ji”). When it explores the particularity of meaning consciously, it puts forward quite a lot of valuable opinions in the aspects of the expressive power of music, the sound and emotion relations in music appreciation, the function of music, etc. In today’s Chinese music Aesthetics has a very important and far-reaching significance in the field of research.