本文以沈周《临戴进〈谢安东山图〉》为研究对象,结合文献资料和存世画迹,从“谢安东山图”这一绘画题材的渊源流变入手,对这幅画的真伪、时代和性质给出了判断。认为这幅画与沈周没有关系,而是明代后期坊间所盛行的“谢安东山图”的其中一件。进而,本文探究了沈周传世绘画中的青绿山水风格,揭示出其中蕴藏的一连串画史误会。 This article takes Shen Zhou’s “Lin Dai-ting’s Picture of Dongshan Mountains” as the research object, and combines with the sources of literature and surviving paintings, starting from the origin of the theme of “Xie An Dongshan Figure” Authenticity, time and nature are given judgments. Think that this picture has nothing to do with Shen Zhou, but is one of the “Xie An Dongshan map” popular in the late Ming Dynasty. In addition, this article explores the landscape of Qing Dynasty in Shen Zhou’s paintings, revealing a series of historical misunderstandings.