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相信很多影楼老板看到自己的摄影师们在刚制作完的新影棚里拍出很多漂亮照片时都会欣喜若狂,但慢慢随着时间的推移,却又冒出一个头疼又难解决的问题,那就是所有摄影师拍出来的客片基本雷同,每一个实景拍出来的片子无论是从构图、取景的习惯角度、打光方式,甚至被拍摄者与实景的距离都一成不变。当出现这种局面时,老板们可能就会考虑:我们影楼是不是该换实景了?我们的影棚是不是应该拆掉重新装修了?可影棚刚做好才半年或者几个月啊,是不是太奢
I believe many studio owners will be ecstatic when they see their photographers filmed a lot of beautiful photos in a new studio that has just finished making production. However, as time goes on, they will emerge as a headache and hard to solve , That is, all photographers shoot out of the same basic film, each shot from a real scene either from the perspective of composition, framing, lighting, and even the distance between the photographer and the scene are static. When this situation occurs, the boss may consider: our studio is not for the real scene? Our studio is not should be demolished redecorated? Can just a studio just six months or a few months ah, is not it Too luxurious